These exposure shifts allow you to easily compensate for overexposures without having to spend as much time correcting shots manually. 1-5 - For shots overexposed by 1.5 stops.0-5 - For shots overexposed by 0.5 stop (or half a stop).There are 5 exposure LUT levels to choose from: This allows you to overexposure your footage (to improve noise performance) and grade those shots easily. Sony Rec.709 LUT and Pike Rec.709 LUT overlay with color notesĮach grading LUT has two numbers signifying exposure shift. Sony Rec.709 LUT (Left) vs Pike Rec.709 LUT (Right)
Sony slog lut skin#
The biggest difference can be seen in skin tones and other natural elements in your shots like grass, trees and warm tones. These include rotating each color slightly to correct unpleasing colors. Rather than spend time correcting every shot, I created these LUTs to speed up my post workflow and have added three additional features which are detailed below.Īll the LUTs in this pack have the same base corrections.
The grading LUTs can be used to achieve very pleasing color and will correct several issues with the stock Sony technical conversion LUTs.
cube LUTs.įalse Color LUT Applied to S-Log3 Footage The colors displayed in this LUT have been specifically tuned to the S-Log3 and can even be used in Sony cameras that support. This means at a glance you can check for highlight clipping and ensure correct skin exposure. Light Green = 1 Stop Over Skin Exposure.The false color LUT only displays three colors: If your camera shoots S-Log3 in 10-bit, this LUT pack is compatible! Only have an 8-bit Sony camera? Check out the 8-bit LUT Pack coming soon. This LUT pack includes a false color LUT for use in camera or with a monitor, over 25 grading LUTs and a Color Boost LUT for fast grade finishing. Using these LUTs, you can convert S-Log3 to a pleasing Rec.709 image and make quick adjustments to exposure and skin tones. Clean, natural conversion LUTs for select Sony cameras.
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